By Jason Boog
On YouTube, you can find hundreds of clips from the animated G.I. Joe: A Real American Hero. It’s been twenty years since the show premiered, but the gaudy palette and campy characters shimmer on the smallest screen. Collectively, these digital relics from an era when the real U.S. military was busy invading Grenada and Panama have been viewed hundreds of thousands of times.
It’s fascinating to view the series’s frenetic opening sequence, in which righteous American commandos battle the evil Cobra army. We meet G.I Joe, as he storms a beach outpost; Flint, wearing his cocked beret; Lady Jaye, throwing spears and clad in sexy olive fatigues; and Shipwreck, dashing into combat dressed like one of the Village People.
Then the Cobra villains emerge, blasting away with laser guns: the mutated snake-man, Serpentor; the leather-clad dominatrix, Baroness; and the mustachioed quack, Dr. Mindbender. Airplanes, boats, tanks, hang gliders, hovercrafts, jeeps, and a supersweet aircraft carrier zoom through the fray. Every image is paired with a shiny Hasbro toy in the Christmas catalog.
G.I. Joe was one of the pioneering “program-length commercials.” By creating an entire television series around a product, these shows dodged FCC regulations that limited children’s advertising. Animated characters helped sell everything from gummi bear candies to He-Man dolls, but G.I. Joe drew more criticism for encouraging both consumerism and militarism.